Gotland Museum, Visby, Sweden - SpottingHistory.com

The fine Gotlands Fornsal Museum provides comprehensive coverage of Visby's past. Housed in an 18th century distillery and a medieval warehouse, it holds five storeys of exhibition halls covering eight thousand years of history, as well as a good courtyard café and bookshop.

Among the most impressive sections are the Hall of Picture Stones, a collection of richly carved stones dating mostly from the 5th to 11th centuries, and the display of the Spillings Hoard – the richest of Gotland's seven hundred hoards. Found in 1999, this treasure, mostly from the Arab world, England and Germany, weighs 85 kilos. The Hall of Prehistoric Graves is equally fascinating, its glass cases displaying skeletons dating back six thousand years.

Other rooms trace the history of medieval Visby, with exhibits including a trading booth, where the burghers of Visby and foreign merchants dealt in commodities – furs, lime, wax, honey and tar – brought from all over Northern Europe. A series of tableaux brings the exhibition up to 1900, starting with Erik of Pomerania, the first resident of Visborg Castle, and leading on through the years of Danish rule, up to the island's 16th-century trading boom.

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User Reviews

Anders Glansholm (4 years ago)
Värt ett besök

סיגל בן נון (4 years ago)
Ecxelent museum

Rick J (4 years ago)
If you find yourself with a little time to spare in Visby on the the Swedish island of Gotland then have a look at the art museum. The ground floor is travelling exhibitions which at the moment is on a science fiction theme and the second floor is for children with a good selection to keep most children entertained whilst you explore the permanent collection on the third floor. The museum isn't big but has a nice collection and you can certainly spend an hour or so there.

Suzanna Kwok (5 years ago)
Fun and informative!

Tomte4Play (6 years ago)
Free wlan

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Les Invalides

Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.

Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.

Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.

Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.

The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.

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