The first stone church in Hörsne was built in Romanesque style during the 12th century. The oldest part of present church is the tower dating from the first half of the 13th century. The rest of the Romanesque church was eventually pulled down and replaced with a Gothic main building. Thus the choir and the vestry are from the end of the 13th century, while the nave was built during the early 14th century. When the nave was constructed, the choir was also modestly 'modernised' by the insertion of the presently visible eastern window. The church retains much of its medieval character.
The church has two remarkably sculptured portals. The choir portal display carved foliage and a few figures: two fish and a lion. The main portal is crowned by a sculpture of Saint Michael wielding a club and carrying a shield, sitting astride the wimperg. Underneath, the capitals are profusely sculpted with scenes from the apocalypse. Other capitals are decorated with foliage ornamentation. Both of the portals may have been made by the so-called Master Egypticus, a locally active anonymous master stone sculptor, and his workshop.
Some of the church windows display original stained glass paintings, displaying architectural motifs, foliage and a depiction of Bartholomew the Apostle. The church's altarpiece is a curious mix between Gothic wooden sculptures, evidently stemming from an earlier (14th century) altarpiece, incorporated into a Baroque altar from 1701. The church also has a notable triumphal cross, where the figure of Jesus is 15th century but the cross itself from the 17th. The pews, the pulpit and baptismal font are all from the 17th and 18th centuries.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.