The choir and its apse-like projection to the east are the oldest parts of Kräklingbo Church. This part of the church originally formed the nave and choir of an earlier church; an inscription mentions its inauguration in 1211. The present nave and sacristy were built around 1300, and thus incorporated these earlier elements. The east window in the apse-like projection dates from the reconstruction circa 1300. The two main portals of the church also date from this later building period. They are richly decorated with sculptures depicting religious motifs and ornamentation. A proper church tower was never built; the spire probably dates from the 18th century but was remade during a renovation in 1908.
Inside, the church is decorated with frescos. Most of these date from the early 13th century and depict religious scenes. During the reconstruction of the church around 1300, some of the frescos were damaged. Three scenes were furthermore added in 1908. The church has also been decorated internally by the use of alternating stones of different colours in many of the details such as the window frames.
The church houses a number of medieval items. The altarpiece was manufactured on Gotland at the beginning of the 16th century. The triumphal cross is older, from the end of the 13th century, and is still in the Romanesque tradition. The choir benches, lastly, date from the 14th century. The baptismal font and the unusual pulpit are both from the second half of the 17th century, and Baroque in style.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.