The choir and its apse-like projection to the east are the oldest parts of Kräklingbo Church. This part of the church originally formed the nave and choir of an earlier church; an inscription mentions its inauguration in 1211. The present nave and sacristy were built around 1300, and thus incorporated these earlier elements. The east window in the apse-like projection dates from the reconstruction circa 1300. The two main portals of the church also date from this later building period. They are richly decorated with sculptures depicting religious motifs and ornamentation. A proper church tower was never built; the spire probably dates from the 18th century but was remade during a renovation in 1908.
Inside, the church is decorated with frescos. Most of these date from the early 13th century and depict religious scenes. During the reconstruction of the church around 1300, some of the frescos were damaged. Three scenes were furthermore added in 1908. The church has also been decorated internally by the use of alternating stones of different colours in many of the details such as the window frames.
The church houses a number of medieval items. The altarpiece was manufactured on Gotland at the beginning of the 16th century. The triumphal cross is older, from the end of the 13th century, and is still in the Romanesque tradition. The choir benches, lastly, date from the 14th century. The baptismal font and the unusual pulpit are both from the second half of the 17th century, and Baroque in style.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.