Mästerby Church dates largely from the 13th century. The nave, choir and apse were built first, at the beginning of the century. In the middle of the same century, the tower was also built. The nave was made higher about a century later, and at this time both the nave and choir received vaulted ceilings. The church has remained relatively unaltered since the end of the Middle Ages. Only the sacristy is significantly later, added in 1790. New windows were also made in the 1860s.
The church is richly decorated with frescos internally. They range in period from the 13th to the 17th century. In the apse, some Romanesque paintings survive, notably a depicting of Mary, while some have been covered with other paintings in the 17th century. The vaults in the nave are decorated with frescos from the 14th century, and the walls of the nave furthermore decorated by the artist sometimes referred to as the Master of the Passion of Christ (15th century). Still other frescos, in the choir, probably date from the 16th century, while another set, again in the nave, is dated to 1633.
The baptismal font is from the 12th century, Romanesque in style and a work by the sculptor known by the assigned name Byzantios. The triumphal cross is locally made, dating from the 13th century. Other furnishings date from the time after the Reformation.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.