Vall Church is a largely Romanesque church that dates from the 13th century. It was built in three phases. Oldest is the choir with the apse, and the nave, dating from the early part of the century. The tower was begun during the middle of the century and made higher at the end of the century.
The church is a relatively well-preserved Romanesque building, with a tower that is unusually tall in comparison with similar churches on Gotland. All the church portals are Romanesque, and of these the north portal of the tower is the most noteworthy. Internally, the vaults of the nave are supported by a single central pillar, whose decoration is reminiscent of the decoration in the choir of Visby Cathedral. In the tower base there is a separate chamber with a hagioscope opening towards the nave. Similar chambers can be found e.g. in Bro and Martebo churches.
Remains of medieval stained glass panes exist in one of the church windows. In the south wall of the apse sits a niche with a pair of doors from circa 1300. The doors are richly carved and carry runic inscriptions. The altarpiece is from 1684, and made in Burgsvik, while the baptismal font dates from the 12th century and is a work by the Romanesque artist Majestatis. The pulpit is a work from the early 18th century. In the church floor there is also the tombstone of Peter Harding, who led the peasant faction during a civil war on Gotland in 1288. The oldest of the church bells, finally, dates from 1443 and had belonged to Hogrän Church.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.