The Romanesque church tower is the oldest part of the church. It was built circa 1200. Originally it was attached to a Romanesque church, the nave and choir of which however was replaced with the presently visible Gothic parts at the end of the 13th century. The sacristy is the only non-medieval part of the church; it was built in 1866. The exterior of the church is decorated with Romanesque reliefs, re-used from the earlier church and incorporated into the Gothic structure. Inside, the choir retains traces of original church frescos.
Several of the church fittings are medieval. The baptismal font dates from the 12th century and was made by the sculptor Hegvald; it is considered one of the artist's finest pieces. The church also houses a triumphal cross from the same century. The altarpiece is also medieval but was altered in the 17th century. Most of the other fittings, such as the pews and the pulpit, date from later centuries.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.