A monastery was founded in Lambach in about 1040 by Count Arnold II of Lambach-Wels. His son, Bishop Adalbero of Würzburg, changed the monastery into a Benedictine abbey in 1056, which it has been since. During the 17th and 18th centuries a great deal of work in the Baroque style was carried out, much of it by the Carlone family. Lambach escaped the dissolution of the monasteries of Emperor Joseph II in the 1780s.
Adolf Hitler attended the monastery as a boy and saw swastikas on the woodwork. He later used it as a symbol for the Nazi Party, and placed it on a white circle and red background for use as a flag.
The abbey has preserved much of cultural interest. It contains the oldest extant Romanesque frescoes in Southern Germany and Austria, and the former abbey tavern, now a pharmacy, with a beautiful Baroque façade. The abbey's Baroque theatre has also been restored to working order and the summer refectory from the early 18th century by Carlo Antonio Carlone has been converted into a concert hall. The ambulatory by Diego Carlone from the same period is of great magnificence. An unexpected feature is the set of Baroque dwarves in the monastery garden.
The abbey church was also refurbished in the Baroque style, with an organ by Christoph Egedacher and contains the tomb of Saint Adelbero. The abbey also possesses the medieval St. Adelbero's Chalice, although it is rarely on view to the public, besides a large collection of sacred art. The library was constructed about 1691 and contains approximately 50,000 volumes as well as archive material.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.