Mauerbach Charterhouse is a former Carthusian monastery. Founded in 1314 by the Austrian duke Frederick the Fair and rebuilt in the 17th and 18th centuries, the Baroque monastic complex is one of the most important structures of its kind in Austria.
The monastery was plundered and set on fire by Ottoman troops during the 1529 Siege of Vienna and suffered further serious structural damage by the 1590 Neulengbach earthquake. Under Abbot Georg Fasel (1616-1631) an intensive rebuilding programme began, finishing in 1660, during which the great majority of the present-day buildings were constructed. The chronicle of the charterhouse written by Abbot Leopold Brenner was available from as early as 1669, but was not printed until 1725. Brenner had lived here from 1641 and made his profession in 1650, and was thus an eye witness of the building of the early Baroque monastery. In 1683 renewed Turkish assaults during the Battle of Vienna caused more destruction, launching a further programme of repairs and refurbishment s which finished only in 1750.
In 1782 the monastery was dissolved as 'non-productive' by Emperor Joseph II during his rationalist reforms and from 1786 the premises were used for the care of the old and incurably ill of the city of Vienna. Many structural alterations were carried out to adapt the buildings to their new function.
In 1944-45 the former monastery was put to use as an emergency hospital. Between 1945 and 1961 the charterhouse was used to house homeless people. During this period the structure was badly neglected, and allowed to fall derelict from exposure to the elements. Since 1984 the complex has housed the workshops of the Bundesdenkmalamt (Monuments Office).
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.