Säben Abbey was established in 1687, when it was first settled by the nuns of Nonnberg Abbey in Salzburg. Situated on the 'holy mountain', Säben was for centuries a centre of pilgrimage and controlled an extensive religious precinct. On the site of the present nunnery there was an earlier Roman settlement. Between the 6th century and about 960 there was a bishopric (episcopatus Sabiona) seated here. The church 'im Weinberg' dates from that time and its remains have been excavated along with a large burial ground in recent times.
Säben later became a fortress of the bishops. In the 14th and 15th centuries Säben Castle was the seat of the judges of Klausen and the centre of administration of the southern territories of the Diocese of Brixen.
A community of Benedictine nuns was established here in 1686 by the local priest, in premises at the foot of the mountain. The abbey church was dedicated by Johann Franz, Count Khuen von Belasi, then Bishop of Brixen.
Although the nunnery was repeatedly looted during the Napoleonic wars and stripped of its assets during the secularization in 1803, the community survived although in an impoverished state through the 19th century until it gradually revived from about 1880, when, during the period of the Kulturkampf in Germany (1871–1878), the monks of Beuron Abbey were in exile in the county of Tyrol and were in contact with the nuns at Säben. At this time new premises were built in the ruins of the castle on the mountain. The nuns of Säben adopted the Beuronese mode of life, although the abbey was formally accepted into the Beuronese Congregation of the Benedictine Confederation only in 1974.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.