The Franciscan Friary in Bolzano was founded in 1221. According a legend, young Saint Francis accompanied his cloth merchant father, Pietro Bernardone, on a business trip to Bolzano. While there, the young Francis took Mass in the Chapel of Saints Ingenuinus and Erhard, and the bells rang out. The Chapel is today part of the friary complex.
However, the original structure was destroyed by fire in 1291 and the friary was rebuilt in 1322. In 1348 the Franciscan church belonging to it was ready to be consecrated.
The start of the 16th century saw a loss of discipline, notably with regard to the Franciscan Vow of Poverty. Following years of conflict and division within the Franciscan Order, 1514 was a year of important monastic reform in Bolzano which adopted the 'Observants' principles. In 1580 the friary at Bolzano became part of the newly-established stand-alone Franciscan Tirolean Province.
In 1780 the Empress Maria Theresa inaugurated the city's Franciscan Gymnasium (school) for which the friary was mandated to provide the teaching and leadership. During the time of Bavarian occupation, in 1810, the friary found itself abolished and some of its lands forfeit, shortly after which the buildings were used as a military barracks till 1813. However, the region was restored to Austria following the defeat of Napoleon and the Franciscans were able to return to their friary.
The church was destroyed on 29 March 1944 by aerial bombing, but was rebuilt after the war. During the immediate postwar years the South Tyrol was one of the few German-speaking regions of Europe not under the direct military control of the winning powers, and the friary was one of a number of establishments in the region used as a temporary hiding place for high-ranking Nazis heading for more permanent refuges outside Europe.
The church tower is 44 metres high and was completed in 1376. It is topped off with an octagonal pyramid above eight little acoustic windows.
The Gothic church itself comprises a three-aisled nave and a choir section with a polygonal plan, under a ribbed arched roof, all primarily constructed out of pink sandstone. The apse is dominated by three large windows of modern stained glass, which are the work of the Innsbruck artist, Josef Widmoser.
The choir accommodates an elaborately carved and painted late Gothic 'winged altar' constructed around 1500 by Hans Klocker. This was originally housed in the St Anna Chapel that was built at the same time as the church and in 1373 donated by the Vintler family of Bolzano.
The Gothic cloisters date back to the 14th century, and are decorated by a succession of frescoes of the Giotto school, although the surviving display is fragmentary. There are also fragments visible from later centuries of 17th century interventions and additions by Ludwig Pfendter and others.References:
The Church of Saint Demetrius, or Hagios Demetrios, is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki. It is part of the site Palaeochristian and Byzantine Monuments of Thessaloniki on the list of World Heritage Sites by UNESCO since 1988.
The first church on the spot was constructed in the early 4th century AD, replacing a Roman bath. A century later, a prefect named Leontios replaced the small oratory with a larger, three-aisled basilica. Repeatedly gutted by fires, the church eventually was reconstructed as a five-aisled basilica in 629–634. This was the surviving form of the church much as it is today. The most important shrine in the city, it was probably larger than the local cathedral. The historic location of the latter is now unknown.
The church had an unusual shrine called the ciborium, a hexagonal, roofed structure at one side of the nave. It was made of or covered with silver. The structure had doors and inside was a couch or bed. Unusually, it did not hold any physical relics of the saint. The ciborium seems to have been a symbolic tomb. It was rebuilt at least once.
The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. These mosaics depict St. Demetrius with officials responsible for the restoration of the church (called the founders, ktetors) and with children. An inscription below one of the images glorifies heaven for saving the people of Thessalonica from a pagan Slavic raid in 615.
Thessaloniki became part of the Ottoman Empire in 1430. About 60 years later, during the reign of Bayezid II, the church was converted into a mosque, known as the Kasımiye Camii after the local Ottoman mayor, Cezeri Kasım Pasha. The symbolic tomb however was kept open for Christian veneration. Other magnificent mosaics, recorded as covering the church interior, were lost either during the four centuries when it functioned as a mosque (1493–1912) or in the Great Thessaloniki Fire of 1917 that destroyed much of the city. It also destroyed the roof and upper walls of the church. Black-and-white photographs and good watercolour versions give an idea of the early Byzantine craftsmanship lost during the fire.
Following the Great Fire of 1917, it took decades to restore the church. Tombstones from the city"s Jewish cemetery - destroyed by the Greek and Nazi German authorities - were used as building materials in these restoration efforts in the 1940s. Archeological excavations conducted in the 1930s and 1940s revealed interesting artifacts that may be seen in a museum situated inside the church"s crypt. The excavations also uncovered the ruins of a Roman bath, where St. Demetrius was said to have been held prisoner and executed. A Roman well was also discovered. Scholars believe this is where soldiers dropped the body of St. Demetrius after his execution. After restoration, the church was reconsecrated in 1949.