The Château de Portes overlooks the Regordane, an ancient avenue used by the pilgrims of Saint-Giles and the Croisés on their way towards the Holy Land for a distance of ten miles. The Anduze, Randon and Polignac families paid homage to the abbot of Saint-Pierre-de-Sauve for this castle between the 11th and the 14th centuries.
Raymond Guillaume de Budos, the nephew of Pope Clement V, bought the seigniory in 1322, and added at least two additional flanks to the castle in 1384. Thibaud de Budos recovered the castle after deposing his father André, who had joined with the English at the beginning of the Hundred Years' War.
The seigniory became increasingly rich and powerful until Louis XII set it up as a marquisat in favour of Antoine Hercules de Budos, to whom is undoubtedly owed the form of the present castle.
The castle was sold to king Louis XVI in 1781. With the French Revolution, the castle was nationalised and sold to six successive owners. In 1841, in the hands of the Vernede family, the monument was restored from its decrepit condition.
In 1929, following the intensive exploitation of the coal mines under the site, the ground broke down ruining the castle and forcing its evacuation. The village was rebuilt about 300 metres further. Circa 1960, the grounds were stabilised and in 1972 an association was formed to recover the castle. It has been classified as a historical monument since 1984.
The castle has a singular architectural style among castles in Europe because of its 49 degree spurs in the shape of a ship's bow, which earned the castle its nickname of a vessel in the Cévennes.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.