The Duchy of Uzès castle is built on an old Roman Castrum (camp) which became the residence of the Governor in the first millennium. The architecture of the Duke's chateau, named the Duchy is a potted history of France. The Middle-Ages, the Renaissance, the 17th century, and modern times are all there. Despite this, the ensemble is pleasing to the eye.
During the difficult times of the Revolution the building was considered as belonging to the nation, and sold. It was much misused, and ended as a school. In 1824 the Duke bought back the Duchy of Uzès from the townspeople (the writer André Gide was one of them) who in buying it had actually protected it. In 1834 a new school was build in Uzes and the Duke set about restoring the Duchy of Uzès.
The first part of the 20th century saw sad days for the Duchy of Uzès. In financial difficulty, the Duke sold the furnishings and rented the Duchy of Uzès to the Board of Education who once again installed a school. They did not fulfil their obligation to care for the building and concreted both inside and out.
From 1951 the widowed Marchioness of Crussol set about restoring the Duchy of Uzès that she had re-acquired with the help of the Fine Arts Ministry. Aided by her friend André Malraux, Minister of Culture under General de Gaulle, whom she had met in her Political Society Gatherings, she had the town of Uzes classed in 1964 as a heritage site, which greatly helped it after two centuries of being forgotten.
Her grandson and his wife, the present Duke and Duchess of Uzes, are continuing the work started by the Marchioness. Since then major work has been done to the building, and furnishings and objects are regularly added to enrich the collections for the pleasure of the visitor. The Duchy of Uzès is a rare example in the 21st century of a family castle being completely restored.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.