The medieval church of Solna is a so-called round church. The oldest part of the church, the roundhouse, originates from the late 12th century, and was especially built for defense purposes. Attached to this round center is a weaponhouse (south), a rectangular choir to the east, and a rectangular nave to the west. North of the choir is the sacristy, and to the east an octagonal grave choir. There is a second grave choir on the south side of the nave. The roundhouse (central tower) is covered by a tall cupola, which dominates the appearance of the church. The choir was added in the 13th century. The oldest part of the nave is from the 14th century, and was extended during the 15th century, when the weaponhouse and sacristy were built.
The church achieved large parts of its interior under the patronage of Magnus Gabriel de la Gardie. In 1674 the western portal was added, a sculptured portal originally constructed for Karlbergs slott in 1637, and moved to Solna church in 1674. In 1708 Queen Ulrika Eleonora commissioned a grave choir dedicated to count Tomas Polus. The roof was destroyed in a fire in 1723, and the current cupola was built after this incident. The Lange grave choir was constructed in the 1780s. In 1883 the church was given a roof of copper plates. A major restoration took place in 1928 under supervision of architect Erik Fant, when the church's medieval paintings were recovered. The medieval murals from ca. 1440 are attributed to Albertus Pictor.
The choir is dominated by the altar centre-piece, sculpted in wood in 1666 by Hans Jerling. The centre-piece frames two oil paintings with biblical motifs, and is crowned by a wood-sculptured Madonna from the late 16th century, while the altar is made of brick and covered by a limestone plate.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.