Our Lady of the Rocks is one of the two islets off the coast of Perast in Bay of Kotor, Montenegro. It is an artificial island created by bulwark of rocks and by sinking old and seized ships loaded with rocks. The Roman Catholic Church of Our Lady of the Rocks is the largest building on the islet; it has a museum attached. There is also a small gift shop close to the church and a navigation light at the western end of the islet.
According to legend, the islet was made over the centuries by local seamen who kept an ancient oath after finding the icon of Madonna and Child on the rock in the sea on July 22, 1452. Upon returning from each successful voyage, they laid a rock in the Bay. Over time, the islet gradually emerged from the sea. The custom of throwing rocks into the sea is alive even nowadays. Every year on the sunset of July 22, an event called fašinada in the local dialect, when local residents take their boats and throw rocks into the sea, widening the surface of the island, takes place.
The first known church was built on the islet in 1452. It was taken over by Roman Catholics and in 1632 the present Church of Our Lady of the Rocks was built. It was restored in 1722. The church contains 68 paintings by Tripo Kokolja, a famous 17th-century baroque artist from Perast. His most important painting, ten meters long, is The Death of the Virgin. There are also paintings by Italian artists, and an icon (circa 1452) of Our Lady of the Rocks, by Lovro Dobričević of Kotor. The church also houses a collection of silver votive tablets and a famous votive tapestry embroidered by Jacinta Kunić-Mijović from Perast. It took her 25 years to finish it while waiting for her darling to come from a long journey, and eventually, she became blind. She used golden and silver fibres but what makes this tapestry so famous is the fact that she also embroidered her own hair in it.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.