Villa Caldogno is attributed to Andrea Palladio. It was built for the aristocratic Caldogno family on their estate in the village of Caldogno near Vicenza.
A Latin inscription on the facade dates the completion of the building to 1570 when it belonged to Angelo Caldogno. However, Angelo's father, Losco Caldogno, appears to have started to build in the 1540s, probably incorporating walls from a pre-existing building. 1570 is possibly the date of the completion of the villa's decorative scheme.
The villa is not included in I Quattro Libri dell'Architettura, Palladio's treatise of 1570, in which the architect discussed a number of his creations. However, it is similar to certain villas, such as the Villa Saraceno, that Palladio is known to have created in the 1540s and 1550s.
The villa has frescoes by Giovanni Antonio Fasolo (1530-1572), who decorated Palladio's Teatro Olimpico, and Giovanni Battista Zelotti (1526-1578), who decorated a number of villas designed by Palladio. The frescoes at Villa Caldogno Nordera have been compared to Zelotti's work at Villa Foscari.
In 1996 UNESCO included the Villa Caldogno Nordera in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. The villa is in municipal ownership and is open to the public.References:
La Hougue Bie is a Neolithic ritual site which was in use around 3500 BC. Hougue is a Jèrriais/Norman language word meaning a \'mound\' and comes from the Old Norse word haugr. The site consists of 18.6m long passage chamber covered by a 12.2m high mound. The site was first excavated in 1925 by the Société Jersiaise. Fragments of twenty vase supports were found along with the scattered remains of at least eight individuals. Gravegoods, mostly pottery, were also present. At some time in the past, the site had evidently been entered and ransacked.
In Western Europe, it is one of the largest and best preserved passage graves and the most impressive and best preserved monument of Armorican Passage Grave group. Although they are termed \'passage graves\', they were ceremonial sites, whose function was more similar to churches or cathedrals, where burials were incidental.