The Villa Forni Cerato is a 16th-century villa in Montecchio Precalcino. Its design is attributed to Andrea Palladio and his client is assumed to have been Girolamo Forni, a wealthy wood merchant who supplied building material for a number of the Palladio's projects. The attribution to Palladio is partly on stylistic grounds, although this is a complicated issue - the building departs from the Palladian norms.
The villa was probably built in the 1540s modifying an existing building on the site. The double name Forni-Cerato, which it is always given, dates back to 1610. Both its attribution to Palladio and the assumption that Girolamo Forni had it built remain a matter of speculation. The first reference to the architect being Palladio is in the 18th century. However, modern research agrees almost unanimously with their opinion.
The body of the building has not undergone any significant changes with the exception of the back, which had a serliana, which was replaced by a balcony. The outline of the rear serliana is still visible.
Today, the only authentic sculptural decoration appears to be a mask over the round arch of the entrance serliana which is attributed to Alessandro Vittoria.
In 1996 UNESCO included the building in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. The villa is in a poor state of conservation.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.