The Villa Forni Cerato is a 16th-century villa in Montecchio Precalcino. Its design is attributed to Andrea Palladio and his client is assumed to have been Girolamo Forni, a wealthy wood merchant who supplied building material for a number of the Palladio's projects. The attribution to Palladio is partly on stylistic grounds, although this is a complicated issue - the building departs from the Palladian norms.
The villa was probably built in the 1540s modifying an existing building on the site. The double name Forni-Cerato, which it is always given, dates back to 1610. Both its attribution to Palladio and the assumption that Girolamo Forni had it built remain a matter of speculation. The first reference to the architect being Palladio is in the 18th century. However, modern research agrees almost unanimously with their opinion.
The body of the building has not undergone any significant changes with the exception of the back, which had a serliana, which was replaced by a balcony. The outline of the rear serliana is still visible.
Today, the only authentic sculptural decoration appears to be a mask over the round arch of the entrance serliana which is attributed to Alessandro Vittoria.
In 1996 UNESCO included the building in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. The villa is in a poor state of conservation.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.