The Villa Pisani is a patrician villa designed by Andrea Palladio, located in Bagnolo, a hamlet in the comune of Lonigo.
The Pisani were a rich family of Venetian nobles who owned several Villas Pisani, two of them designed by Andrea Palladio. The villa at Bagnolo was built in the 1540s and represents Palladio's first villa designed for a patrician family of Venice (his earlier villa commissions were from provincial nobility in the Vicenza area). It was designed with rusticated features to complement its rural setting; in contrast, the Villa Pisani at Montagnana in a semi-urban setting utilizes more refined motifs.
In 1570 Palladio published a version of the villa in his Four Books of Architecture. The executed villa differs noticeably from the design. The deviations may have been in response to certain conditions on the actual site.
An engraved ground plan of 1778 by Ottavio Bertotti Scamozzi, gives a clear idea of the villa as it appeared in the 18th century. There was originally a long barchessa (wing) at the back of the courtyard terminating in dovecotes that kept the villa supplied with squab; this wing was admired by Vasari, but it was demolished in the nineteenth century and replaced by a structure that bears no relation to the Palladian facade it faces.
The interior features a central T-shaped salone with barrel vaulting inspired by Roman baths; it is decorated with frescoes.
In 1996, UNESCO included the villa in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.