The Villa Pisani is a patrician villa designed by Andrea Palladio, located in Bagnolo, a hamlet in the comune of Lonigo.
The Pisani were a rich family of Venetian nobles who owned several Villas Pisani, two of them designed by Andrea Palladio. The villa at Bagnolo was built in the 1540s and represents Palladio's first villa designed for a patrician family of Venice (his earlier villa commissions were from provincial nobility in the Vicenza area). It was designed with rusticated features to complement its rural setting; in contrast, the Villa Pisani at Montagnana in a semi-urban setting utilizes more refined motifs.
In 1570 Palladio published a version of the villa in his Four Books of Architecture. The executed villa differs noticeably from the design. The deviations may have been in response to certain conditions on the actual site.
An engraved ground plan of 1778 by Ottavio Bertotti Scamozzi, gives a clear idea of the villa as it appeared in the 18th century. There was originally a long barchessa (wing) at the back of the courtyard terminating in dovecotes that kept the villa supplied with squab; this wing was admired by Vasari, but it was demolished in the nineteenth century and replaced by a structure that bears no relation to the Palladian facade it faces.
The interior features a central T-shaped salone with barrel vaulting inspired by Roman baths; it is decorated with frescoes.
In 1996, UNESCO included the villa in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'.References:
The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.
The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.
The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.
There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).
The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.