Villa Pisani was designed by Andrea Palladio about 1552, for Cardinal Francesco Pisani. Pisani was also a patron of the painters Paolo Veronese and Giambattista Maganza and the sculptor Alessandro Vittoria, who provided sculptures of the Four Seasons for the villa, which is in fact provided with fireplaces to dispel winter chill.
Construction of the villa was under way by 1553, and it was completed in 1555. The central block is an uncompromising rectangle, with a pedimented tetrastyle portico, Ionic over Doric, that has been sunk into its wall-plane so that the columns are embedded half-columns. On the garden front, the similar structure instead forms a screen across the fronts of a recessed portico surmounted by a loggia, which become in single recessed central feature. The Doric frieze runs uninterrupted round the building, further binding all elements together. There are no surviving autograph drawings related to this project. However, Palladio published a version of the building in his I Quattro Libri dell'Architettura. The woodcut shows an idealized, amplified form of the villa, in which the central block is flanked by arched gateway structures that end in tall, three-storey tower-like pavilions.
In 1996 UNESCO included the Villa Pisani in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. The villa continues to be in private ownership.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.