Villa Porto was designed in 1554 and traditionally attributed to the Italian architect Andrea Palladio, but not included by UNESCO in the strict list of Palladian Villas of Veneto
In 1554, Paolo Porto and his brothers divided up their father’s inheritance, Paolo acquiring an estate at Vivaro, north of Vicenza. Here, during the subsequent four years, he realised a villa which tradition holds was designed by Palladio. The Conte Paolo Porto, one of the most powerful canons of the Cathedral (in 1550 he was on the point of becoming bishop) was a sophisticated and cultured man, who passed much time in Rome where he could count on the friendship of Cardinal Alessandro Farnese. Porto also numbered among his Vicentine friends and relatives Palladio’s foremost patrons, men like Giangiorgio Trissino, Biagio Saraceno, Bernardo Schio, and Girolamo Garzadori.
It is perhaps this network of friendships which most easily placed him in contact with Palladio, although in this regard careful inspection of the villa’s architecture raises more doubts than certainties. For one discerns various successive constructional phases, which render the identification of an original Palladian scheme, if any, most difficult. The pronaos, for example, is grafted onto the main block with manifest discontinuity. Moreover, the two lateral wings are without doubt nineteenth-century, and actually the product of a belated “Palladianization” of the villa at the hands of the architect Antonio Caregaro Negrin.
References:The church of the former Franciscan monastery was built probably between 1515 and 1520. It is located in the UNESCO World Heritage Site of Old Rauma. The church stands by the small stream of Raumanjoki (Rauma river).
The exact age of the Church of the Holy Cross is unknown, but it was built to serve as the monastery church of the Rauma Franciscan Friary. The monastery had been established in the early 15th century and a wooden church was built on this location around the year 1420.
The Church of the Holy Cross served the monastery until 1538, when it was abandoned for a hundred years as the Franciscan friary was disbanded in the Swedish Reformation. The church was re-established as a Lutheran church in 1640, when the nearby Church of the Holy Trinity was destroyed by fire.
The choir of the two-aisle grey granite church features medieval murals and frescoes. The white steeple of the church was built in 1816 and has served as a landmark for seafarers.