The beautiful Villa Carlotta was built at the end of 17th century by the Milanese marquis Giorgio Clerici in a natural basin between lake and mountains, facing the dolomite Grignas and the peninsula of Bellagio. The architect created for the Clericis an important but sober building, with an Italian garden decorated with sculptures, stairs and fountains.
In 1801 Gian Battista Sommariva, famous politician, businessman and patron of arts, bought the villa. Thanks to this owner the property in Tremezzo attained the summit of its splendour and became one of the most important halting-place of the Grand Tour. The villa became a temple of 19th century art with works of Canova, Thorvaldsen and Hayez: Palamedes, Eros and Psyche, Terpsychore, The last kiss of Romeo and Juliet are only some of the masterpieces that enriches the extraordinary collection.
Under Sommariva part of the park was transformed in a fascinating romantic garden. Sommariva's heirs sold the villa in 1843 to Princess Marianne of Nassau, Albert's of Prussia wife, who gave it as a present to her daughter Carlotta in occasion of her wedding with Georg II of Saxen-Meiningen. Hence the name Villa Carlotta. Very fond in botanic, Georg enriched the park, today of great historical and environmental value. The gardens of Villa Carlotta chiefly owe their reputation to the rhododendrons' and azaleas' spring flowering, consisting of over 150 different sorts.
But the gardens are worth to visit in every period of the year: old varieties of camellias, century old cedars and sequoias, huge planes and tropical plants, the Rock garden and the Ferns valley, the Rhododendrons wood and the Bamboos garden, the agricultural tools museum and the wonderful views on the lake built in the ages the celebrity of this place, still today consider 'a place of heaven'.
References:The Broch of Gurness is an Iron Age broch village. Settlement here began sometime between 500 and 200 BC. At the centre of the settlement is a stone tower or broch, which once probably reached a height of around 10 metres. Its interior is divided into sections by upright slabs. The tower features two skins of drystone walls, with stone-floored galleries in between. These are accessed by steps. Stone ledges suggest that there was once an upper storey with a timber floor. The roof would have been thatched, surrounded by a wall walk linked by stairs to the ground floor. The broch features two hearths and a subterranean stone cistern with steps leading down into it. It is thought to have some religious significance, relating to an Iron Age cult of the underground.
The remains of the central tower are up to 3.6 metres high, and the stone walls are up to 4.1 metres thick.