Como Cathedral is one of the most important buildings in the region. It is commonly described as the last Gothic cathedral built in Italy: construction on it, on the site of the earlier Romanesque cathedral dedicated to Santa Maria Maggiore, began in 1396, 10 years after the foundation of Milan Cathedral. The construction works, started under the supervision of Lorenzo degli Spazzi di Laino, did not finish until 1770 with the completion of the Rococo cupola by Filippo Juvarra. The imposing west front was built between 1457 and 1498 and features a rose window and a portal between two statues of Pliny the Elder and Pliny the Younger, natives of Como.
It is 87 metres long, from 36 to 56 metres wide, and 75 metres high into the top of the cupola. It has a Latin Cross floor plan with a central nave and two side aisles, separated by pillars, and a Renaissance transept, with an imposing cupola over the crossing. The apses and the choir are of the 16th century. The interior has some important tapestries, and others of the 16th and 17th centuries, made in Ferrara, Florence and Antwerp. There are also a number of 16th-century paintings by Bernardino Luini and Gaudenzio Ferrari.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.