Villa Monastero, located on the shore of Lake Como, includes a botanical garden, a museum, and a convention center. Villa Monastero is an eclectic villa built in the Nordic style. The site was originally a Cistercian convent, founded at the end of the 12th century in Varenna, which now lies beneath the modern building. The convent grew in importance and wealth, purchasing many properties, especially around Lierna, but eventually declined to only six mothers, and was closed by papal bull in 1567.
The whole estate was purchased by Paolo Mornico in 1569, using his fortune amassed through iron mining in Valsassinia. In the 17th century the Mornico family incrementally rebuilt and decorated it in the eclectic style.
Walter Kees of Leipzig bought the villa in the 1890s, and between 1897 and 1909 carried out modifications which give its current style. Some of the architects involved include Emilio Alemagna, Achille Majnoni, and Enrico Citterio, the construction itself was overseen by G. Bertarini of Varenna. The final phase of construction expanded the garden, with the cooperation of Enrico Achler of Menaggio.
In 1936 the Milanese De Marchi family, originally from Switzerland, donated the villa to the public and it became a museum. In 1940 the gardens were opened to the public, and in 1953 the conference center was created.
A museum house was set up within Villa Monastero, and opened to the public in 2003. The monumental part of the house was already completed by 1996, with 14 rooms featuring original decorations and furniture from its various owners. The museum house also contains a collection of optical, electronic, and mechanical instruments originally belonging to Giovanni Polvani.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.