Aquileia, one of the largest and wealthiest cities of the Early Roman Empire, was destroyed by Attila in the mid-5th century. The patriarchal basilica, an outstanding building with an exceptional mosaic pavement, played a key role in the evangelization of a large region of central Europe.
The architectural development of the Basilica of Aquileia, dedicated to the Virgin Mary and the saints Hermagora and Fortunatus, started immediately after 313 AD. In that period the Edict of Milan put an end to religious persecution and the Christian community was legally able to build its first place of public worship. In the following centuries, after the destruction of this first church, seat of a bishopric, the inhabitants of Aquileia built it up again other four times, using each time the structures of the previous buildings: Theodorian Hall, first half of the 4th century; Post-Theodorian North, middle of the 4th century; Post-Theodorian South, end of the 4th century or after the middle of the 5th century; hall of Maxentius, 9th century; Poppo's church, first half of the 11th century; rebuilding of the upper part of the church by Markward von Randeck, from the pointed arches to the roof, 14th-15th century.
The Basilica, as it is today, is in Romanesque-Gothic style. The entire floor is a wonderful coloured mosaic of the 4th century, brought to light in the years 1909-1912. With its 760 square metres the floor is the largest Paleo-Christian mosaic of the western world. The mosaic was partly damaged due to the construction of the columns flanking the right side at the end of the 4th century according to some scholars and after the middle of the 5th century according to others.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.