Aquileia, one of the largest and wealthiest cities of the Early Roman Empire, was destroyed by Attila in the mid-5th century. The patriarchal basilica, an outstanding building with an exceptional mosaic pavement, played a key role in the evangelization of a large region of central Europe.
The architectural development of the Basilica of Aquileia, dedicated to the Virgin Mary and the saints Hermagora and Fortunatus, started immediately after 313 AD. In that period the Edict of Milan put an end to religious persecution and the Christian community was legally able to build its first place of public worship. In the following centuries, after the destruction of this first church, seat of a bishopric, the inhabitants of Aquileia built it up again other four times, using each time the structures of the previous buildings: Theodorian Hall, first half of the 4th century; Post-Theodorian North, middle of the 4th century; Post-Theodorian South, end of the 4th century or after the middle of the 5th century; hall of Maxentius, 9th century; Poppo's church, first half of the 11th century; rebuilding of the upper part of the church by Markward von Randeck, from the pointed arches to the roof, 14th-15th century.
The Basilica, as it is today, is in Romanesque-Gothic style. The entire floor is a wonderful coloured mosaic of the 4th century, brought to light in the years 1909-1912. With its 760 square metres the floor is the largest Paleo-Christian mosaic of the western world. The mosaic was partly damaged due to the construction of the columns flanking the right side at the end of the 4th century according to some scholars and after the middle of the 5th century according to others.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.