Trieste Cathedral (Basilica cattedrale di San Giusto Martire), dedicated to Saint Justus, is the seat of the Bishop of Trieste. The first religious edifice on the site was built in the 6th century, using part of the existing structure. Perhaps the entrance to a monument, this was commonly known as the Capitoline Temple, as a pyramidal altar with the symbols of the Capitoline Triad (Jupiter, Juno and Minerva) had been found inside it.
Of the hall there remains part of the mosaic floor, integrated into the present-day floor, which contains markings of the outer walls of the early Christian building. Soon after it was opened for worship, the church was destroyed in the Lombard invasion.
Between the 9th and 11th centuries, two basilicas were erected on the ruins of the old church, the first dedicated to Our Lady of the Assumption and the second, the cathedral, to Saint Justus (San Giusto). The original design of the latter building was subsequently lengthened. In the 14th century the two basilicas were joined by means of the demolition of one nave of either basilica and the construction of a simple asymmetrical façade, dominated by a delicately worked Gothic rose window, as ornate as the new bell tower, using the Romanesque debris stones found on the site and friezes of arms.
The Chapel of Saint Charles Borromeo serves as the burial chapel for the family of the Carlist claimants to the throne of Spain. Among the works of historical interest in the cathedral are the apsidal mosaics depicting Our Lady of the Assumption and Saint Just, laid by master craftsmen from Veneto in the 12th-13th centuries. The small 14th-century church of San Giovanni on the left and San Michele al Carnale on the right, by the entrance to the museum, complete a fine medieval churchyard.
In the square in front of the church is an altar commemorating the consecration and laying down of the arms of the 3rd Army, a column with a halberd and a monument to those who died in the First World War.
Archaeological excavations carried out here in the 1930s laid bare the remains of the Roman forum and civic building constructed on two colonnaded floors with two apses. Two lower-floor columns have been reconstructed.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.