Borgholm Castle is today only a ruin of the fortress that was first built in the second half of the 12th century and many times rebuilt in later centuries. The construction of the original fortress was probably ordered by king Canute I (1167-1195), who ordered fortresses to be built on the Swedish east coast as defence against enemies from the other side of the Baltic Sea. During the 13th to 15th centuries, additions and changes were made. New towers were built, a new and thicker wall was raised for example. The fortress was damaged on a number of times during these centuries, including in 1361, when king Valdemar IV (Atterdag) of Denmark attacked Borgholm.
During the Kalmar Union, many castles and fortresses in Sweden were damaged as a result of the ongoing conflicts between Danes and Swedes. John III (r. 1568-1592) ordered the reconstruction of Borgholm into a renaissance castle. During his reign, the Pahr brothers (four engineers and architects from Milan) led a significant rebuilding that took place from 1572. The castle acquired a Gothic character and became exemplary of the Italianate bastion style.
Some decades later, Sweden and Denmark fought each other in the Kalmar War. Borgholm Castle first, in 1611, surrendered to the Danish side, but was reconquered by the Swedish side later the same year. The following year, after a siege two weeks long, the commander of the Swedish defence, Peter Michelsen Hammarskiöld had to surrender. In accordance to the treaty that followed the war, the Treaty of Knäred, Borgholm was handed back to the Swedish.
The castle was in a bad shape after the war and it took until 1654 before a restoration and reconstruction would begin. This time, the castle was to be turned into a baroque palace. Charles X Gustav was the king that ordered this, and Nicodemus Tessin the Elder was the architect that was used to fulfil the king's wishes. When Charles Gustaf died in 1660, the construction stopped, only to be restarted at a slow pace during the following kings Charles XI and Charles XII. In 1709, the construction was ended totally and finally.
For a hundred years, the palace was left to fall into decay. On 14 October 1806, the castle was turned into a ruin through a fire that started in the roof of the north wing. The castle of today is the ruins of the 17th century baroque palace Charles X Gustav had constructed. It is owned and superintended by the National Property Board of Sweden. It is open for visitors and holds a museum.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.