Borgholm Castle is today only a ruin of the fortress that was first built in the second half of the 12th century and many times rebuilt in later centuries. The construction of the original fortress was probably ordered by king Canute I (1167-1195), who ordered fortresses to be built on the Swedish east coast as defence against enemies from the other side of the Baltic Sea. During the 13th to 15th centuries, additions and changes were made. New towers were built, a new and thicker wall was raised for example. The fortress was damaged on a number of times during these centuries, including in 1361, when king Valdemar IV (Atterdag) of Denmark attacked Borgholm.

During the Kalmar Union, many castles and fortresses in Sweden were damaged as a result of the ongoing conflicts between Danes and Swedes. John III (r. 1568-1592) ordered the reconstruction of Borgholm into a renaissance castle. During his reign, the Pahr brothers (four engineers and architects from Milan) led a significant rebuilding that took place from 1572. The castle acquired a Gothic character and became exemplary of the Italianate bastion style.

Some decades later, Sweden and Denmark fought each other in the Kalmar War. Borgholm Castle first, in 1611, surrendered to the Danish side, but was reconquered by the Swedish side later the same year. The following year, after a siege two weeks long, the commander of the Swedish defence, Peter Michelsen Hammarskiöld had to surrender. In accordance to the treaty that followed the war, the Treaty of Knäred, Borgholm was handed back to the Swedish.

The castle was in a bad shape after the war and it took until 1654 before a restoration and reconstruction would begin. This time, the castle was to be turned into a baroque palace. Charles X Gustav was the king that ordered this, and Nicodemus Tessin the Elder was the architect that was used to fulfil the king's wishes. When Charles Gustaf died in 1660, the construction stopped, only to be restarted at a slow pace during the following kings Charles XI and Charles XII. In 1709, the construction was ended totally and finally.

For a hundred years, the palace was left to fall into decay. On 14 October 1806, the castle was turned into a ruin through a fire that started in the roof of the north wing. The castle of today is the ruins of the 17th century baroque palace Charles X Gustav had constructed. It is owned and superintended by the National Property Board of Sweden. It is open for visitors and holds a museum.

References:

Comments

Your name



Details

Founded: 1654, originally in 1100s
Category: Castles and fortifications in Sweden
Historical period: Swedish Empire (Sweden)

Rating

4.4/5 (based on Google user reviews)

User Reviews

Amorfati Trips (8 months ago)
The castle was built in 1281, but rebuilt in 1660 into a magnificent baroque castle. Then it fell into disrepair and finally a fire engulfed the entire interior in October 1806. Today the ruin stands there as a well-visited historical destination and is also used for summer concerts. We've enjoyed our visits and you can see some of it at amorfatitrips.com.
Wojciech Zawadzki (9 months ago)
Ruins...Swedish destroyed/robbed 87 castles and 89 palaces in 17 century. I'm kind of happy to see ruins in Sweden ?
Carl Forsman (14 months ago)
Exciting place to visit, very beautiful scenery.
Christopher Jonsson (15 months ago)
Amazing tour of medieval castle a must in Kalmar - take the tour to learn more, really committed guides!
Magnus Hansson (15 months ago)
Awesome castle ruins being displayed with much of it available to see.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Kraków Cloth Hall

The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).

The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.

Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.

The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.

On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.

The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.