Borgholm Castle is today only a ruin of the fortress that was first built in the second half of the 12th century and many times rebuilt in later centuries. The construction of the original fortress was probably ordered by king Canute I (1167-1195), who ordered fortresses to be built on the Swedish east coast as defence against enemies from the other side of the Baltic Sea. During the 13th to 15th centuries, additions and changes were made. New towers were built, a new and thicker wall was raised for example. The fortress was damaged on a number of times during these centuries, including in 1361, when king Valdemar IV (Atterdag) of Denmark attacked Borgholm.
During the Kalmar Union, many castles and fortresses in Sweden were damaged as a result of the ongoing conflicts between Danes and Swedes. John III (r. 1568-1592) ordered the reconstruction of Borgholm into a renaissance castle. During his reign, the Pahr brothers (four engineers and architects from Milan) led a significant rebuilding that took place from 1572. The castle acquired a Gothic character and became exemplary of the Italianate bastion style.
Some decades later, Sweden and Denmark fought each other in the Kalmar War. Borgholm Castle first, in 1611, surrendered to the Danish side, but was reconquered by the Swedish side later the same year. The following year, after a siege two weeks long, the commander of the Swedish defence, Peter Michelsen Hammarskiöld had to surrender. In accordance to the treaty that followed the war, the Treaty of Knäred, Borgholm was handed back to the Swedish.
The castle was in a bad shape after the war and it took until 1654 before a restoration and reconstruction would begin. This time, the castle was to be turned into a baroque palace. Charles X Gustav was the king that ordered this, and Nicodemus Tessin the Elder was the architect that was used to fulfil the king's wishes. When Charles Gustaf died in 1660, the construction stopped, only to be restarted at a slow pace during the following kings Charles XI and Charles XII. In 1709, the construction was ended totally and finally.
For a hundred years, the palace was left to fall into decay. On 14 October 1806, the castle was turned into a ruin through a fire that started in the roof of the north wing. The castle of today is the ruins of the 17th century baroque palace Charles X Gustav had constructed. It is owned and superintended by the National Property Board of Sweden. It is open for visitors and holds a museum.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.