Borgholm Castle is today only a ruin of the fortress that was first built in the second half of the 12th century and many times rebuilt in later centuries. The construction of the original fortress was probably ordered by king Canute I (1167-1195), who ordered fortresses to be built on the Swedish east coast as defence against enemies from the other side of the Baltic Sea. During the 13th to 15th centuries, additions and changes were made. New towers were built, a new and thicker wall was raised for example. The fortress was damaged on a number of times during these centuries, including in 1361, when king Valdemar IV (Atterdag) of Denmark attacked Borgholm.
During the Kalmar Union, many castles and fortresses in Sweden were damaged as a result of the ongoing conflicts between Danes and Swedes. John III (r. 1568-1592) ordered the reconstruction of Borgholm into a renaissance castle. During his reign, the Pahr brothers (four engineers and architects from Milan) led a significant rebuilding that took place from 1572. The castle acquired a Gothic character and became exemplary of the Italianate bastion style.
Some decades later, Sweden and Denmark fought each other in the Kalmar War. Borgholm Castle first, in 1611, surrendered to the Danish side, but was reconquered by the Swedish side later the same year. The following year, after a siege two weeks long, the commander of the Swedish defence, Peter Michelsen Hammarskiöld had to surrender. In accordance to the treaty that followed the war, the Treaty of Knäred, Borgholm was handed back to the Swedish.
The castle was in a bad shape after the war and it took until 1654 before a restoration and reconstruction would begin. This time, the castle was to be turned into a baroque palace. Charles X Gustav was the king that ordered this, and Nicodemus Tessin the Elder was the architect that was used to fulfil the king's wishes. When Charles Gustaf died in 1660, the construction stopped, only to be restarted at a slow pace during the following kings Charles XI and Charles XII. In 1709, the construction was ended totally and finally.
For a hundred years, the palace was left to fall into decay. On 14 October 1806, the castle was turned into a ruin through a fire that started in the roof of the north wing. The castle of today is the ruins of the 17th century baroque palace Charles X Gustav had constructed. It is owned and superintended by the National Property Board of Sweden. It is open for visitors and holds a museum.References:
The Jelling stones are massive carved runestones from the 10th century, found at the town of Jelling in Denmark. The older of the two Jelling stones was raised by King Gorm the Old in memory of his wife Thyra. The larger of the two stones was raised by King Gorm's son, Harald Bluetooth in memory of his parents, celebrating his conquest of Denmark and Norway, and his conversion of the Danes to Christianity. The runic inscriptions on these stones are considered the most well known in Denmark.
The Jelling stones stand in the churchyard of Jelling church between two large mounds. The stones represent the transitional period between the indigenous Norse paganism and the process of Christianization in Denmark; the larger stone is often cited as Denmark's baptismal certificate (dåbsattest), containing a depiction of Christ. They are strongly identified with the creation of Denmark as a nation state and both stones feature one of the earliest records of the name 'Danmark'.
After having been exposed to all kinds of weather for a thousand years cracks are beginning to show. On the 15th of November 2008 experts from UNESCO examined the stones to determine their condition. Experts requested that the stones be moved to an indoor exhibition hall, or in some other way protected in situ, to prevent further damage from the weather.
Heritage Agency of Denmark decided to keep the stones in their current location and selected a protective casing design from 157 projects submitted through a competition. The winner of the competition was Nobel Architects. The glass casing creates a climate system that keeps the stones at a fixed temperature and humidity and protects them from weathering. The design features rectangular glass casings strengthened by two solid bronze sides mounted on a supporting steel skeleton. The glass is coated with an anti-reflective material that gives the exhibit a greenish hue. Additionally, the bronze patina gives off a rusty, greenish colour, highlighting the runestones' gray and reddish tones and emphasising their monumental character and significance.