The first defensive construction, a round tower, was built on Kalmarsund in the 12th century concurrently with the harbour. At the end of the 13th century King Magnus Ladulås had a new fortress built with a curtain wall, round corner towers and two square gatehouses surrounding the original tower. Located near the site of Kalmar's medieval harbor, it has played a crucial part in Swedish history since its initial construction as a fortified tower in the 12th century.
One of the most significant political events in Scandinavia took place at Kalmar Castle in 1397, when the Kalmar Union was formed - a union of Denmark, Norway and Sweden, organized by Queen Margaret I of Denmark. During the Swedish rebellion against Denmark in1520, the fortress was commanded by Anna Eriksdotter.
The fortress was improved during the 16th century under the direction of King Gustav I and his sons King Eric XIV and King John III, who turned the medieval fortress into a castle fit for a renaissance king. Kalmar Castle suffered heavy damage during the Kalmar War of 1611-13 and was badly damaged by a fire in 1642. Repairs were begun but from the end of the seventeenth century the castle was allowed to fall into disrepair.
In 1856, architect Fredrik Wilhelm Scholander (1816 - 1881) initiated restoration work at Kalmar Castle. His pupil Helgo Zettervall continued restoring Kalmar Castle in the 1880s. Architect Carl Möller drew up the plans and other documents. The work began in 1885 and by 1891 the castle had gained the silhouette it bears today. In 1919 professor Martin Olsson was charged with the continuing restoration of earthworks, the moat, the bridge and the drawbridge. Work continued until 1941, when the castle was once more surrounded by water. Today, it is one of Sweden's best preserved renaissance castles and is open to the public.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.