The Pantokrator Monastery is ranked seventh in the hierarchical order of the twenty monasteries located on the Athos peninsula. As is case of the other institutions on Mount Athos, life at Pantokrator is coenobitic.
The Pantokrator Monastery is located near the Monastery of Stavronikita. The monastery was founded about 1357 by Alexios the Stratopedarch and John the Primikerios. They are buried at the monastery. Their monastery was built on the ruins of monastery of Ravdouchou that had been plundered by pirates during the years of Frankish occupation after the Latin conquest of Constantinople in 1204.
The katholikon within the monastery walls, which dates from the fourteenth century, is dedicated to the Transfiguration of Our Lord. Due to a paucity of space the church is small. It is of Athonite style and has frescos painted by artists of the Macedonian school. The murals were restored in 1854 by the painter Mathaeos of Naousa.
The refectory was built in 1841. The monastery also has eight chapels within its walls and seven more around the monastery placed among the many hermit huts. The skete of the Prophet Elijah also belongs to the Pantokrator monastery.
Pantokrator monastery was seriously damaged by a fire in 1773 and was repaired by the vestry keeper Kyrillos. Damage from a 1948 fire was repaired by the Restoration Service.
The Pantokrator library holds some 350 codices, two liturgical scrolls, and 3,500 printed books. A few codices have been stolen in recent years. Among the vestments, liturgical objects, and relics of saints, the monastery holds a unique and valuable icon of the Virgin Gerontissa and part of the shield of St. Mercurius.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.