St Mary's Kirk at Auchindoir, between Rhynie and Lumsden, is one of the Scotland's finest surviving medieval parish churches. The main doorway is early Romanesque, and there is a well-preserved early 16th-century sacrament house.
St Mary's is rare for a Scottish church in that it has survived into the modern era without any major alterations. Although surviving medieval churches are reasonably common throughout the country, almost all were significantly altered during and after the Reformation, often so heavily transformed that it is difficult to see their medieval origins.
St Mary's Kirk was built in the early 13th century and served as the place of worship for the nearby motte and bailey castle, next to a gorge to the south-east of the church. First mentioned in 1236, the church was dedicated to the Virgin Mary. In 1514 the church was elevated to a prebend of King's College in Aberdeen, thereby receiving the income of a canon. It was subsequently used as a parish church, surviving the Reformation largely intact. However, in the 17th century it was redecorated, with most of the lancet windows replaced with larger windows.
In 1810, the church ceased to be used as a place of worship and the old timber work was sold publicly.
The church has been described as one of Northern Scotland's finest specimens of 13th-century First-Pointed architecture. It had already lost its roof at the beginning of the 19th century but the walls of rubble and freestone quoins remain intact. The nave leads directly into the chancel without any structural division. Alterations were made in the first half of the 16th century and during the 17th century when doors and windows were added. The belfry on the west gable dates from 1664.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.