Sarriod de la Tour Castle was originally a typical of the style built between the 10th and 12th centuries, and was greatly expanded by Jean Sarriod in 1420 and his son, Antoine, in 1478. The north wing's ground floor features a wooden-ceilinged 'Hall of Heads', named for its decorative motifs.
The Sarriod de la Tour Castle was the family residence of the Sarriod family since its founding. The Sarriods were politically linked to the powerful Bard family in the County of Savoy. The oldest part of the castle included a chapel and square tower, or donjon, surrounded by the castle walls. In 1420 Jean Sarriod expanded upon the 'turris Sariodorum', as the donjon was known. The 'Hall of Heads', built in 1430, features 171 corbels of grotesques of mythological monsters and animals bearing coats of arms.
In 1478 Jean's son, Antoine Sarriod de la Tour, refurbished the chapel dedicated to the Virgin Mary and Saint John the Evangelist, by having painted the external frescoes of the Crucifix and Saint Christopher and caused to be built the small bell tower. The castle wall's circular and semi-circular towers were added sometime in the late 15th century, when a new entrance was created on the eastern side. In the 16th century a west-facing wing was added, then, in the 17th century, a north tower. The Sarriod family inhabited the castle until 1923. In that year the castle went to the Genoese Bensa family. Since 1970, it has been property of the autonomous Region Aosta Valley.
Sarriod de la Tour is open to visitors year round.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.