The Villa Hügel was built by Alfred Krupp in 1870-1873 as his main residence and was the home of the Krupp family of industrialists until after World War II. Today the villa is now open to the public. Its hall is the regular concert venue of the chamber orchestra Folkwang Kammerorchester Essen. It is also used for exhibitions.
Up to around 800 people worked on the construction project at a time. Since Alfred Krupp wanted a very modern home, the villa was supposed to be fire-proof, well insulated from sun, wind, cold and heat. It featured double-paned windows, water heating and an early form of air conditioning. The temperature was supposed to be independently adjustable for each room. A large complex of support buildings was erected nearby, including private water and gas works.
Krupp pushed for a speedy completion, although the Franco-Prussian War and collapsing mining tunnels underneath the edifice slowed construction. On 10 January 1873, the family moved in. Some of the technical features did not work as expected, however, so work continued after that.
Alfred Krupp died in 1887. The family continued to use the Villa Hügel and Friedrich Alfred Krupp and his wife Margarethe made some significant changes to the house, adding sumptuous ornamentation. Among other heads of state and monarchs, Emperor Wilhelm II stayed at the Villa Hügel nine times. The current appearance of the Villa is mostly due to the next generation of Krupps, Friedrich Alfred's daughter Bertha and her husband Gustav Krupp von Bohlen und Halbach, who hired Ernst von Ihne to work on the building after 1912. He added wooden paneling on the interior and the owners furnished the Villa with numerous works of art.
An annex called the Little House (Kleines Haus) containing sixty rooms was used to confine Alfried Krupp in the aftermath of the Second World War. Some parts of the villa were used to house members of the British post-war Control Commission for at least a while during 1946.
The house has 269 rooms and occupies 8,100 m². It is situated in a 28-hectare park that overlooks the River Ruhr and the Baldeneysee.
The main complex consists of the three-storied Wohnhaus and a three-storied Logierhaus. The two were linked by a winter garden (now a two-storied building). The construction is supported by an iron framework, very modern for the time. The overall style of the original building was a very austere example of a late-Neoclassical villa. Later changes added more ornamentation. The interior of the main building's ground and second floors is dominated by a main hall of over 400 square-meters. By contrast, the rooms of the (non-public) first floor were kept relatively simple.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.