Saint Titus church is one of the most important monuments in Heraklion. In 961, Nicephorus Phocas drove the Arabs from Crete, bringing the island back under the wing of the powerful Byzantine Empire. This is when the first Orthodox church of St Titus must have been built, to rekindle the Christian faith and tradition in Crete, which had declined due to the corsair conquest of the island.
Saint Titus was a disciple of the Apostle Paul and the first Bishop of Crete. The first church dedicated to him was that in the old capital Gortyn, which also housed the metropolitan see of the island until its destruction by earthquake and the Arab transfer of the capital from Gortyn to Chandax (Heraklion) in 828 AD.
The skull of St Titus, the miraculous icon of the Virgin Mesopanditissa and other sacred relics from Gortyn were moved to the new church.
At the fall of Heraklion to the Turks all relics were removed to Venice, where they still remain today. The single exception is the skull of St Titus, which was returned to Heraklion in 1966 and is now kept in a silver reliquary in the church.
During the period of Turkish rule, the church of Saint Titus was ceded to Vizier Fazil Ahmet Kiopruli, who converted it into a mosque known as the Vezir Mosque.
The great earthquake of 1856 totally destroyed the church. It was rebuilt in its present form as an Ottoman mosque by architect Athanasios Moussis, who also designed the Orthodox cathedral of Saint Minas and the barracks in Eleftherias Square.
The minaret of Saint Titus was demolished in the 1920s, when the last Muslims left Heraklion with the exchange of populations between Greece and Turkey. Today Saint Titus is an Orthodox church dedicated to St Titus the Apostle, following modifications carried out by the Church of Crete in 1925.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.