Frangokastello castle was built by the Venetians in 1371-74 as a garrison to impose order on the rebellious Sfakia region, to deter pirates, and to protect Venetian nobles and their properties. The Venetians named it the Castle of St. Nikitas after the nearby church. The locals, however, who never saw it in a positive light, contemptuously dubbed it Frangokastello, meaning the Castle of the Franks (i.e. Catholic foreigners), Castelfranco or Franco Castello.
The name eventually stuck and was adopted by the Venetians as well. According to local lore, when soldiers and builders arrived on the fertile plain to begin construction of the castle, the local Sfakians, led by six Patsos brothers from the nearby settlement of Patsianos, would destroy every night what the Venetians built during the day. Eventually, the Venetians were forced to bring in additional troops and the Patsos brothers were betrayed, arrested and hanged.
The castle has a simple rectangular shape, with a tower at each corner and the remains of a Venetian coat of arms above the main gate. The buildings within the walls, as well as the battlements, were constructed during the Ottoman Turkish occupation.
In 1770, the Cretan rebel Ioannis Vlachos, otherwise known as Daskalogiannis, was captured at Frangokastello by Turkish forces. He was later tortured and executed at Heraklion.
On 17 May 1828 a celebrated battle was fought at Frangokastello. Hundreds of Sfakiots and Epirotes led by Hatzimichalis Dalianis, a Greek patriot from Epirus attempting to spread the Greek War of Independence from the mainland to Crete, occupied the castle, but were besieged by the Turks and massacred. However, many of the Turks were then themselves killed by rebel ambushes launched from the local gorges. According to tradition, around the anniversary of the battle each May, shadows of the armed Cretan and Epirote soldiers who lost their lives there seem to march towards the fortress around dawn.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.