Gonia is an Orthodox monastery located on the coast of the south-east Rodopos peninsula in Crete, overlooking the Gulf of Chania.
Today dedicated to the Assumption of the Virgin, the monastery was founded in the 9th century and was originally dedicated to St. George. It was originally situated at Menies on the ruins of the ancient temple of Artemis Britomartis (Diktynna). The monastery was built in the 13th century adjacent to a cemetery, but it was rebuilt between 1618 and 1634 in its present location, with Venetian influences in its architectural design and adornment. The distinctive fountain in front of the monastery's entrance was built in 1708 and the belfry in 1849.
According to monks the present location at Kolymvari was considered a safer from attack. Despite this, the monastery was heavily damaged by Ottoman bombardment on many occasions throughout its history including in 1645, 1652, 1822, 1841, and finally in 1867 during the Cretan Revolt (1866–1869) against the Ottoman Empire, evidence of which can be seen today by the remaining cannonball lodged in the monastery wall.
During World War II the monastery was partly destroyed by German bombing and it became one of the most important areas of Cretan resistance to Nazi Germany.
Gonia Monastery is a Venetian-style fortress monastery. Its main church has a narthex, a dome, and a number of chapels surrounded by a courtyard. The courtyard area is also where the quarters of the abbot and monks of the monastery are situated along with the refectory and storehouses.
Today, the monastery museum contains numerous Byzantine artifacts from the 15th and 17th century including Cretan icons by Parthenios, Ritzos, and Neilos. It also has numerous relics and other rare religious treasures from the Byzantine period and ancient inscriptions on the walls.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.