The Château Frontenac is a grand hotel in Quebec, Canada. The hotel is generally recognized as the most photographed hotel in the world, largely for its prominence in the skyline of Quebec City. The current hotel capacity is more than 600 rooms on 18 floors.
The Château Frontenac was designed by American architect Bruce Price, as one of a series of 'château' style hotels built for the Canadian Pacific Railway company (CPR) during the late 19th and early 20th centuries; the newer portions of the hotel, including the central tower (1924), were designed by Canadian architect William Sutherland Maxwell. CPR's policy was to promote luxury tourism by appealing to wealthy travellers. The Château Frontenac opened in 1893, six years after the Banff Springs Hotel, which was owned by the same company and is similar in style.
The Château Frontenac was named after Louis de Buade, Count of Frontenac, who was governor of the colony of New France from 1672 to 1682 and 1689 to 1698. The Château was built near the historic Citadelle, the construction of which Frontenac had begun at the end of the 17th century. The Quebec Conference of 1943, at which Winston Churchill, Franklin D. Roosevelt, and William Lyon Mackenzie King discussed strategy for World War II, was held at the Château Frontenac while much of the staff stayed nearby at the Citadelle.
Although several of Quebec City's buildings are taller, the landmark hotel is perched atop a tall cape overlooking the Saint Lawrence River, affording a spectacular view for several kilometers. The building is the most prominent feature of the Quebec City skyline as seen from across the Saint Lawrence.
The World War II Allies' Quebec Conferences of 1943 and 1944 were held at the Château.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.