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In 1286, Louis of Savoy founded a city of Morges in a pasture where a gallows previously stood. A castle was built to protect the city, which quickly developed into an administrative and market center as well as a hub for transporting goods by land and sea.
The castle in the south of the town square was built with a square floor plan and four round corner towers. It resembles the castle of Yverdon, which may have served as a model for Morges Castle. One of the round towers, larger than the others, served as the main tower. The raised courtyard was covered during the Middle Ages by casemates, which were first mentioned in 1340. On the lake side, outside the castle walls, there was a fortified kitchen. This kitchen, which was unique in Switzerland, was attached to the exterior of the castle walls. In 1363 the kitchen was rebuilt. Following the conquest of Vaud by Bern, the roof of the kitchen became a firing platform and was later converted into an observation deck.
The city and castle were plundered in 1475 and again in 1530. After the conquest of Vaud in 1536 by Bern, Morges became the center of a bailiwick in 1539. The castle was at that time in a deplorable condition. The new owners had the upper half of the fortifications rebuilt in the 1540s to suit the needs of artillery. Since Morges had not surrendered quickly enough to Bern, the city gates were demolished. The gate houses remained until 1769 and 1803, when they were finally destroyed.
The castle, which became the cantonal armory in 1803, was expanded in 1836-39 with some utility buildings and damaged in an explosion in 1871. Starting in 1925, it housed the Vaud Military Museum.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.