The Calvin Auditory (Auditoire de Calvin), originally the Notre-Dame-la-Neuve Chapel, played a significant role in the Protestant Reformation. It is associated with John Calvin, Theodore Beza and John Knox.
The auditorium lies directly adjacent to St. Pierre Cathedral in the Place de la Taconnerie. The austere Gothic-style building was constructed in the 15th century, on the site of earlier 5th-century religious buildings, and was originally dedicated to Notre-Dame-la-Neuve.
From 1536, the time of Geneva's Reformation, it became a lecture hall where Calvin actively expounded his reformed theology. In 1559, it served as the original home of the University of Geneva. Once Geneva accepted the Reformation, it became a haven for Protestant refugees from all over Europe, and Calvin gave this building over for them to worship in their own language. It was also used by the Scottish reformer John Knox, during his exile in Geneva in the 1550s. Here he ministered to an English-speaking refugee congregation and developed many of the ideas that were to be influential in the Scottish Reformation. Subsequently, it became a place used by numerous Protestant refugee groups including Italian Waldensians, Dutch Reformed and Scottish Presbyterians. It is viewed by many Reformed churches throughout the world as a crucible of their faith.
Over the years, the building deteriorated. In 1954, the World Alliance of Reformed Churches reached an agreement with the National Protestant Church of Geneva and launched a programme to restore the auditorium, which was completed in 1959.
Today, following in the tradition established by Calvin, the Auditoire is still used for worship in languages other than French. It hosts congregations of the Dutch Reformed Church and Italian Reformed Church, as well as being used by a congregation of the Church of Scotland as its main place of worship every Sunday.References:
The Kalozha church of Saints Boris and Gleb is the oldest extant structure in Hrodna. It is the only surviving monument of ancient Black Ruthenian architecture, distinguished from other Orthodox churches by prolific use of polychrome faceted stones of blue, green or red tint which could be arranged to form crosses or other figures on the wall.
The church is a cross-domed building supported by six circular pillars. The outside is articulated with projecting pilasters, which have rounded corners, as does the building itself. The ante-nave contains the choir loft, accessed by a narrow gradatory in the western wall. Two other stairs were discovered in the walls of the side apses; their purpose is not clear. The floor is lined with ceramic tiles forming decorative patterns. The interior was lined with innumerable built-in pitchers, which usually serve in Eastern Orthodox churches as resonators but in this case were scored to produce decorative effects. For this reason, the central nave has never been painted.
The church was built before 1183 and survived intact, depicted in the 1840s by Michał Kulesza, until 1853, when the south wall collapsed, due to its perilous location on the high bank of the Neman. During restoration works, some fragments of 12th-century frescoes were discovered in the apses. Remains of four other churches in the same style, decorated with pitchers and coloured stones instead of frescoes, were discovered in Hrodna and Vaŭkavysk. They all date back to the turn of the 13th century, as do remains of the first stone palace in the Old Hrodna Castle.
In 2004, the church was included in the Tentative List of UNESCO"s World Heritage Sites.