The imposing main walls and their four towers of Yverdon-les-Bains castle follow the geometric characteristics used for lowland castles. It was planned out between 1260-1270 by the young mason and architect James of St. George. He would later travel to England where he would become the master castle builder for King Edward I. James would be responsible for building a series of castles (known as the 'Iron Ring') in North Wales following its conquest by the English Crown.
Yverdon's castle used to be the residence of the castellans of the Savoy dynasty, until 1536, followed by the bailiffs of Bern state. In 1798, the Département du Léman became the castle's owner. The Département had been set up by the short-lived Helvetic Republic (1798–1803), imposed by Napoleon I.
A few years later, Yverdon acquired the castle, to entrust it to Johann Heinrich Pestalozzi and his institute. After 1838, the castle housed a public school. New classrooms were created, especially on the second floor: dividing walls were erected, additional windows changed the severe look of the castle's façade. After 1950, these classrooms were gradually abandoned; the last classes left in 1974. The original medieval structure was then restored. The castle is today a multi-purpose cultural centre, housing a regional museum, a theatre, various conference rooms and the oldest public library of French-speaking Switzerland, founded already in 1763. The library is now part of the castle museum, existing since 1830.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.