The Olympic Museum (Musée olympique) in Lausanne houses permanent and temporary exhibits relating to sport and the Olympic movement. With more than 10,000 artifacts, the museum is the largest archive of Olympic Games in the world and one of Lausanne's prime tourist site attracting more than 250,000 visitors each year.
The Olympic Museum and the Olympic Park are located at Ouchy, south of Lausanne. The headquarters of the International Olympic Committee are located at Vidy, to the west of Ouchy.
The museum was founded in 1993. The permanent exhibition is organized into three major themes on three separate floors: Olympic World, Olympic Games, and Olympic Spirit. A visit begins on the third floor, where the Olympic World part of the exhibition informs visitors of the history of the ancient Olympic Games and the rebirth of the modern Games in the 19th century. Highlights include a display of Olympic torches, as well as a video documenting major moments in the history of opening ceremonies history.
The second floor focuses on Olympic Games. Sporting equipment for a variety of sports are on display, and visitors are introduced to the Youth Olympic Games and the Paralympic Games. More than 1,000 video clips of Olympic Games events and athletes are can be searched and viewed at individual viewing stations.
The final part of the permanent exhibit covers the Olympic Spirit, where visitors are made to feel part of an Olympic Village and can test their balance, agility, and mental skills with interactive exercises. Olympic medals are also on display.References:
The moated castle at Beersel is one of the few exceptionally well-preserved examples of medieval fortifications in Belgium. It remains pretty much as it must have appeared in the 15th century. Remarkably, it was never converted into a fortified mansion. A visitor is able to experience at first-hand how it must have felt to live in a heavily fortified castle in the Middle Ages.
The castle was built in around 1420 as a means of defence on the outer reaches of Brussels. The tall, dense walls and towers were intended to hold any besiegers at bay. The moat and the marshy ground along its eastern, southern and western edges made any attack a formidable proposition. For that reason, any attackers would have chosen its weaker northern defences where the castle adjoins higher lying ground. But the castle was only taken and destroyed on one occasion in 1489, by the inhabitants of Brussels who were in rebellion against Maximilian of Austria.
After being stormed and plundered by the rebels it was partially rebuilt. The pointed roofs and stepped gables are features which have survived this period. The reconstruction explains why two periods can be identified in the fabric of the edifice, particularly on the outside.
The red Brabant sandstone surrounds of the embrasures, now more or less all bricked up, are characteristic of the 15th century. The other embrasures, edged with white sandstone, date from the end of the 15th century. They were intended for setting up the artillery fire. The merlons too are in white sandstone. The year 1617 can be clearly seen in the foundation support on the first tower. This refers to restorations carried out at the time by the Arenberg family.
Nowadays, the castle is dominated by three massive towers. The means of defence follow the classic pattern: a wide, deep moat surrounding the castle, a drawbridge, merlons on the towers, embrasures in the walls and in the towers, at more or less regular intervals, and machiolations. Circular, projecting towers ensured that attacks from the side could be thwarted. If the enemy were to penetrate the outer wall, each tower could be defended from embrasures facing onto the inner courtyard.
The second and third towers are flanked by watchtowers from which shots could be fired directly below. Between the second and third tower are two openings in the walkway on the wall. It is not clear what these were used for. Were these holes used for the disposing of rubbish, or escape routes. The windows on the exterior are narrow and low. All light entering comes from the interior. The few larger windows on the exterior date from a later period. It is most probable that the third tower - the highest - was used as a watchtower.