There were two Schauenburg castles near Frenkendorf, Alt-Schauenburg about 1 km southwest of the village on the top of Chleiflüeli hill and Neu-Schauenburg to the west. A first castle was probably built for the Lords of Schauenburg in the 11th century, however nothing is known about it. In the 13th century the original castle was replaced by a new castle. The 1356 Basel earthquake destroyed much of it, but unlike Alt-Schauenburg, it was quickly rebuilt. The Schauenburg family became extinct in 1385 and the castle became a fief under the Bishop of Basel. In 1397 it was sold and then over the following centuries passed through several additional owners. However, by the 15th century, it had been abandoned and began to fall into ruin.
By 1480 a group of Beguines lay sisters had occupied the towers of Neu-Schauenburg and established a cloistered house in the ruins. The order remained at Schauenburg until 1523. In 1691 mineral springs were discovered and a bath house was built near the castle ruins. In 1792 a small country estate with attached fields was built near the ruins.
Neu-Schauenburg was built before Alt-Schauenburg, but because Alt-Schauenburg was destroyed and abandoned first, it came to be known as the old castle.
The castle was built on a rocky spur above the valley. It has an irregular floorplan and a gate on the north side with a 2m thick castle wall that follows the edge of the spur. The top of the spur is divided down the center by a narrow band of rock into higher eastern and lower western halves.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.