The Lindenhof is a moraine hill and a public square in the historic center of Zürich. It is the site of the Roman and Carolingian era Kaiserpfalz around which the city has historically grown. The hilltop area includes prehistoric, Roman and medieval remains.
At the flat shore of Lake Zurich were Neolithic and Bronze Age (4500 to 850 BC) lakeside settlements. Lindenhof was largely surrounded by water and therefore an optimal location for early fortified settlements. Middle bronze age (1500 BC) artefacts and remains of a Celtic Oppidum from the 1st century BC (La Tène culture) have been found on excavations.
In 15 BC, Augustus's stepsons Drusus and Tiberius integrated the territory on the left side of Lake Zurich into the Roman provinces Raetia and Germania Superior. Several stone buildings from the Roman period were located on and around the hill. It was part of the small vicus Turicum, located on both sides of the Limmat and connected by a Roman bridge located near the present Rathausbrücke.
Turicum, Zurich's Roman name and possibly also its Celtic name, is engraved on a 2nd-century tombstone of a little boy. The tombstone is located in the Swiss National Museum; a copy is integrated in the Lindenhof wall at Pfalzgasse, leading to St. Peter church.
Using the topography, the Roman military built a citadel on top of the hill in the years of the Roman emperor Valentinian I (364–375), to defend migrations from the North by the Alamanni. It was 4500 square meters large, and it was fitted with 10 towers and two meter wide walls.
During the middle ages, the hilltop leveled fort became the retaining wall and gave the Lindenhof terrace a form similar to its current form. The remains of the Roman camp were used as the center of the later fortification of the historical center of Zürich. Significant parts of the lime mortar and ancient castle wall were integrated into the town houses around the Lindenhof and in a Kaiserpfalz (broken in 1218), which served as a place of festivities, including the engagement of the German emperor Henry IV with Bertha von Turin on Christmas in 1055. The Roman castle's remains existed until the early medieval age: a Carolingian, later Ottonian Pfalz (1054) was built on its remains. This Kaiserpfalz was a long building with a chapel on the eastern side of the fortified hill; it is last mentioned in 1172, and it was derelict by 1218, when its remains were scavenged for construction of the city walls and stone masonry on private houses.
In 1937, archaeologists found graves of late medieval children and adults that were oriented from the east to the west. In the year 1384, a chapel on the Lindenhof was mentioned, but no remains have been found.
Following the demolition of the former royal residence, the hill – the only public park within the city walls – became an area for public life and relaxation, with dense tree vegetation, stone tables, crossbow stands, and bowling and chess; the latter are still very popular in modern times.
The Hedwig fountain (1688) was sculpted by Duke Albrecht I. of Habsburg. It depicts the legend of the siege of Zurich in 1292 with a helmeted sculpture of the leader of the Zurich women. Under baroque influence, Lindenhof was converted in 1780 to a strictly geometrical park.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.