Located next to the Lindenhof hill, site of the former Roman castle, St. Peter's church was built on the site of a temple to Jupiter. An early church is archaeologically attested for the 8th or 9th century. This building was replaced by an early Romanesque church around AD 1000, in turn replaced in 1230 by a late romanesque structure, parts of which survive. Rudolf Brun, first independent mayor of the town, was buried here in 1360. The nave was rebuilt in 1460 in Gothic style. Prior to the Reformation, St. Peter was the only parish church of the town, the rest being part of monasteries. The first reformed pastor, Leo Jud (1523-1542), was a friend of Zwingli and contributed to the first translation of the Bible in Zurich. Johann Kaspar Lavater was pastor from 1778-1801. His gravestone can be seen in the church wall. Theologian Adolf Keller served as pastor 1909 -1924.
The current building was consecrated in 1706 as the first church built under Protestant rule. Its congregation forms part of the Evangelical Reformed Church of the Canton of Zürich. Until 1911, the steeple was manned by a fire watch. Restoration work was carried out in 1970 to 1975. The steeple's clock face has a diameter of 8.7 m, the largest church clock face in Europe. The bells date to 1880.
The church tower was primarily used for fire police duties, and 1340 AD the first fire guard was set in duty. In the pre- and early Romanesque area, St. Peter had no church tower, i.e. the first massive three-storey tower was built in early 13th century AD. The first floor with Romanesque ribbed vault dates back to that period. In 1450 the tower was increased to 64 metres (as of today) and a pitched (helmet) roof was attached. That 24 metres high part of the tower was in 1996 re-covered with 42,000 larch shingles from the Engadine valley, since then being the only wooden roof in Zürich.
Towards the end of the 13th century a mechanical church clock was installed. In 1366 it was renewed and got one only dial that was directed towards the Limmat and only displayed the hours. Around 1460, the sense of time has been refined by half on the quarter-hour strike, and in 1538 the striking clock was replaced, and all four facades got dials. Replacements of the clock mechanism followed in 1593/94 and 1675 and 1826. In 1844 a new movement with quarter-hour strike was installed; the electrification of the work was carried out in 1873. In 1972 the balance was replaced by a fully automatic master clock in the clock room of the St. Peter's tower, and in 1996 the electrified mechanical movement of 1844 was shut down and replaced by a central computer system. The clock tower of St. Peter was for centuries Zürich's 'official local time', and all public city clocks had to conform to it. The church clock of St. Peter has the largest tower clock face in Europe, the outer diameter of each of the four church clocks measures 8.64 metres.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.