The Grossmünster is a Romanesque-style Protestant church in Zurich. The core of the present building near the banks of the Limmat was constructed on the site of a Carolingian church, which was, according to legend, originally commissioned by Charlemagne. Construction of the present structure commenced around 1100 and it was inaugurated around 1220.
The Grossmünster was a monastery church, vying for precedence with the Fraumünster across the Limmat throughout the Middle Ages. According to legend, the Grossmünster was founded by Charlemagne, whose horse fell to its knees over the tombs of Felix and Regula, Zürich's patron saints. The legend helps support a claim of seniority over the Fraumünster, which was founded by Louis the German, Charlemagne's grandson. Recent archaeological evidence confirms the presence of a Roman burial ground at the site.
Huldrych Zwingli initiated the Swiss-German Reformation in Switzerland from his pastoral office at the Grossmünster, starting in 1520. Zwingli won a series of debates presided over by the magistrate in 1523 which ultimately led local civil authorities to sanction the severance of the church from the papacy. The reforms initiated by Zwingli and continued by his successor, Heinrich Bullinger, account for the plain interior of the church. The iconoclastic reformers removed the organ and religious statuary in 1524. These changes, accompanied by abandonment of Lent, replacement of the Mass, disavowal of celibacy, eating meat on fast days, replacement of the lectionary with a seven-year New Testament cycle, a ban on church music, and other significant reforms make this church one of the most important sites in the history of the reformation and the birthplace of the Swiss-German reformation.
The twin towers of the Grossmünster are regarded as perhaps the most recognized landmark in Zurich. Architecturally, the church is considered Romanesque in style and thus a part of the first pan-European architectural trend since Imperial Roman architecture. In keeping with the Romanesque architectural style, Grossmünster offers a great carved portal featuring medieval columns with grotesques adorning the capitals. A Romanesque crypt dates to the 11th and 13th centuries.
Bollinger Sandstein was used for the construction. The two towers were first erected between 1487 and 1492. Originally, they had high wooden steeples, which were destroyed by fire in 1763, following which the present neo-Gothic tops were added (completed 1787). Richard Wagner is known to have mocked the church's appearance as that of two pepper dispensers. The church now features modern stained-glass windows by Swiss artist Augusto Giacometti added in 1932. Ornate bronze doors in the north and south portals by Otto Münch were added in 1935 and 1950.
The church houses a Reformation museum in the cloister. The annex to the cloister houses the theological school of the University of Zurich.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.