The Fraumünster Church in Zurich is built on the remains of a former abbey for aristocratic women which was founded in 853 by Louis the German for his daughter Hildegard. He endowed the Benedictine convent with the lands of Zurich, Uri, and the Albis forest, and granted the convent immunity, placing it under his direct authority.
In 1045, King Henry III granted the convent the right to hold markets, collect tolls, and mint coins, and thus effectively made the abbess the ruler of the city.
Emperor Frederick II granted the abbey Reichsunmittelbarkeit in 1218, thus making it territorially independent of all authority save that of the Emperor himself, and increasing the political power of the abbess. The abbess assigned the mayor, and she frequently delegated the minting of coins to citizens of the city. A famous abbess during this time of great power was Elisabeth of Wetzikon.
However, the political power of the convent slowly waned in the fourteenth century, beginning with the establishment of the Zunftordnung (guild laws) in 1336 by Rudolf Brun, who also became the first independent mayor, i.e. not assigned by the abbess.
The abbey was dissolved on 30 November 1524 in the course of the reformation of Huldrych Zwingli, supported by the last abbess, Katharina von Zimmern.
The monastery buildings were destroyed in 1898 to make room for the new Stadthaus. The church building today serves as the parish church for one of the city's 34 reformed parishes. Münsterhof, the town square in front of Fraumünster, is named after the former abbey. Gesellschaft zu Fraumünster cultivates the traditions of the former nunnery convent.
Since the last renovation in 1900, the crypt under the choir of the Fraumünster abbey was sealed, and has made public since 19 June 2016. The oldest part of the church preserved the abbey's Holy Relics until the Reformation in Zürich banned the Roman Catholic adoration of saints. The foundations of the crypt date back to the 9th century when the abbey was founded. The crypt also comprises an exhibition on the history of the Reformation in Zürich, on the architecture and local history, assisted by a multimedia information system that illustrates the foundation fragments of the crypt, and how the church was rebuilt from the original Romanesque construction phase to its present Gothic appearance, on occasion of its establishment guided by Dölf Wild, the archaeologist in charge.
The choir of the abbey includes 5 large stained glass windows designed by artist Marc Chagall and installed in 1970. Each of the 5 has a dominant color and depicts a Christian story.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.