The Fraumünster Church in Zurich is built on the remains of a former abbey for aristocratic women which was founded in 853 by Louis the German for his daughter Hildegard. He endowed the Benedictine convent with the lands of Zurich, Uri, and the Albis forest, and granted the convent immunity, placing it under his direct authority.
In 1045, King Henry III granted the convent the right to hold markets, collect tolls, and mint coins, and thus effectively made the abbess the ruler of the city.
Emperor Frederick II granted the abbey Reichsunmittelbarkeit in 1218, thus making it territorially independent of all authority save that of the Emperor himself, and increasing the political power of the abbess. The abbess assigned the mayor, and she frequently delegated the minting of coins to citizens of the city. A famous abbess during this time of great power was Elisabeth of Wetzikon.
However, the political power of the convent slowly waned in the fourteenth century, beginning with the establishment of the Zunftordnung (guild laws) in 1336 by Rudolf Brun, who also became the first independent mayor, i.e. not assigned by the abbess.
The abbey was dissolved on 30 November 1524 in the course of the reformation of Huldrych Zwingli, supported by the last abbess, Katharina von Zimmern.
The monastery buildings were destroyed in 1898 to make room for the new Stadthaus. The church building today serves as the parish church for one of the city's 34 reformed parishes. Münsterhof, the town square in front of Fraumünster, is named after the former abbey. Gesellschaft zu Fraumünster cultivates the traditions of the former nunnery convent.
Since the last renovation in 1900, the crypt under the choir of the Fraumünster abbey was sealed, and has made public since 19 June 2016. The oldest part of the church preserved the abbey's Holy Relics until the Reformation in Zürich banned the Roman Catholic adoration of saints. The foundations of the crypt date back to the 9th century when the abbey was founded. The crypt also comprises an exhibition on the history of the Reformation in Zürich, on the architecture and local history, assisted by a multimedia information system that illustrates the foundation fragments of the crypt, and how the church was rebuilt from the original Romanesque construction phase to its present Gothic appearance, on occasion of its establishment guided by Dölf Wild, the archaeologist in charge.
The choir of the abbey includes 5 large stained glass windows designed by artist Marc Chagall and installed in 1970. Each of the 5 has a dominant color and depicts a Christian story.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.