Sasso Corbaro, known as Unterwalden Castle after 1506 and Saint Barbara's Castle after 1818, is about 600 m south-east of town on a rocky hill. Unlike the other two castles Sasso Corbaro is not integrated into the city walls. The first part of the castle was the north-eastern tower which was built in 1478 to close a gap in the defenses of the city. In 1479 a small garrison was moved to the tower. During peacetime the tower was used as a prison, though at least one prisoner escaped in 1494. The walls and south-west tower were added later. The castle was struck by lightning multiple times during the 16th and 17th centuries, and by 1900 was falling into ruins.
The fortress is a 25 by 25 m square with square towers on the north-east and south-west corners. The east wall is 1.8 m thick and other walls are about 1m thick. All the walls have machicolations and swallowtail merlons for defense. The entrance to the courtyard is through the western wall, and contains evidence of a portcullis. The two story buildings on the south and west walls were both living quarters with a gabled roof. The castle chapel is located on the eastern side of the courtyard.
The north-eastern keep currently has four stories, though no records exist of its original height and roof. It was used as a living area when the castle was occupied.
Today, Sasso Corbaro Castle houses the Sala Emma Poglia which is the 'wooden room' built for the Emma family during the 17th century. Originally located in the entrance hall of their home in Olivone in the Blenio Valley, the room was purchased by the Canton of Ticino in 1944 and housed first in Castelgrande before being moved to the Sasso Corbaro in 1989. The room is panelled entirely in walnut and also includes the stüva, stove which provided heating. The stove bears the crest of the Emma family (an eagle and a lion rampant). The museum also houses temporary exhibits. It is open from March until November.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.