The Basilica of San Fedele in Como is located in the city center and is dedicated to Saint Fidelis martyr. It derives from an earlier Christian church, dating from the seventh century, dedicated to Euphemia.
The present church dates from 1120, the building is Romanesque and not just the original three naves irregular grafted onto a central plant, also irregular due to the smaller size compared to the two main apse of the transept. In the back there is a barrel vault in the nave with bone-arched pediment. The restoration of Antonio Giussani altered the facade (1914) and bell tower (1905). Farm use of Roman pieces are carved above the door back in Romanesque capitals and adapted to ambulatory font north of lion terrier.
The interior has three naves and three apses presbytery, covered by a dome and surrounded by an ambulatory. Along the ambulatory, there are medieval votive frescoes.
In the chapel of the Crucifix, there is an impressive marble altar contains the crucifix in papier-mâché painted on the apse by Isidoro Bianchi in 1623.
At the end of the north aisle, there is the chapel of the Blessed Virgin Purified represented by a seventeenth-century statue in gilded wood. The bowl is painted with frescoes of the Assumption of the Virgin attributed to the painter Domenico Caresana and Francesco Carpano. At the sides of the altarpiece there are four seventeenth-century frescoes of the Marriage of the Virgin, the Nativity, the Annunciation to the Shepherds and the Adoration of the Magi.
The first chapel on the right has different characteristics from the others. The ceiling is lined with baroque stucco, and on the wall there is a triptych painted in 1504 by Giovanni Andrea De Magistris representing Mary with Child between Saints Sebastian and Rocco; below there is an urn which contained the remains of sant'Amanzio bishop of Como.References:
Glimmingehus, is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".