The Basilica of San Fedele in Como is located in the city center and is dedicated to Saint Fidelis martyr. It derives from an earlier Christian church, dating from the seventh century, dedicated to Euphemia.
The present church dates from 1120, the building is Romanesque and not just the original three naves irregular grafted onto a central plant, also irregular due to the smaller size compared to the two main apse of the transept. In the back there is a barrel vault in the nave with bone-arched pediment. The restoration of Antonio Giussani altered the facade (1914) and bell tower (1905). Farm use of Roman pieces are carved above the door back in Romanesque capitals and adapted to ambulatory font north of lion terrier.
The interior has three naves and three apses presbytery, covered by a dome and surrounded by an ambulatory. Along the ambulatory, there are medieval votive frescoes.
In the chapel of the Crucifix, there is an impressive marble altar contains the crucifix in papier-mâché painted on the apse by Isidoro Bianchi in 1623.
At the end of the north aisle, there is the chapel of the Blessed Virgin Purified represented by a seventeenth-century statue in gilded wood. The bowl is painted with frescoes of the Assumption of the Virgin attributed to the painter Domenico Caresana and Francesco Carpano. At the sides of the altarpiece there are four seventeenth-century frescoes of the Marriage of the Virgin, the Nativity, the Annunciation to the Shepherds and the Adoration of the Magi.
The first chapel on the right has different characteristics from the others. The ceiling is lined with baroque stucco, and on the wall there is a triptych painted in 1504 by Giovanni Andrea De Magistris representing Mary with Child between Saints Sebastian and Rocco; below there is an urn which contained the remains of sant'Amanzio bishop of Como.
References:The Beckov castle stands on a steep 50 m tall rock in the village Beckov. The dominance of the rock and impression of invincibility it gaves, challenged our ancestors to make use of these assets. The result is a remarkable harmony between the natural setting and architecture.
The castle first mentioned in 1200 was originally owned by the King and later, at the end of the 13th century it fell in hands of Matúš Èák. Its owners alternated - at the end of the 14th century the family of Stibor of Stiborice bought it.
The next owners, the Bánffys who adapted the Gothic castle to the Renaissance residence, improved its fortifications preventing the Turks from conquering it at the end of the 16th century. When Bánffys died out, the castle was owned by several noble families. It fell in decay after fire in 1729.
The history of the castle is the subject of different legends.