The Castles of Bellinzona are a group of fortifications located around the town of Bellinzona. Situated on the Alpine foothills, the group is composed of fortified walls and three castles named Castelgrande, Montebello and Sasso Corbaro. The Castles of Bellinzona with their defensive walls have been an UNESCO World Heritage Site since 2000.
Montebello Castle is located to the east of the town center. It was built before 1313 for the pro-Imperial Rusca family, who occupied the castle following the Visconti victory and occupation of Castelgrande. By the end of the 14th century it was in the hands of the Visconti. The castle was renovated and expanded between 1462 and 1490 to its current state. In the 19th century the castle fell into disrepair and was renovated starting in 1903.
Unlike Castelgrande, Montebello was not protected by natural features. It is surrounded by deep moats that protected the walls. The complex is rhomboid in shape and connected to the city walls on the south and north. The castle clearly shows the three stages of construction, with the original central keep surrounded by the 14th century walls which are in turn surrounded by the 15th century walls.
The inner keep dates from before 1313 and is an irregular rectangle. It appears that the battlemented tower with a hip roof on the north-east side of the keep is an incorrect reconstruction from 1903. Prints from the 17th century show a four-story building with a roof sloped toward the interior of the keep. The keep was built with a high, strong outer wall with living quarters and utility buildings along the inner wall. The original entrance is located high on the western wall and can only be reached by climbing an external flight of stairs. The well in the inner eastern bailey may be from the original castle.
The 14th century wall was partly included in the later 15th century wall, but some original sections can still be seen. The 14th century gateway is supported by a projecting gatehouse, though the inner and outer drawbridges are modern reproductions.
The 15th century wall is located 715 m from the original complex, with a moat on the east side and a rounded arch in the south-east side. It includes some parts of the 14th century wall. An arrowhead shaped barbican was added to the east of the moat and was protected by another moat and machicolated battlements on the north side. On the south side a gate, equipped with murder-hole, was added during this expansion.
A little chapel, dedicated to Saint Michael, leans against the wall of the more recent south-facing section; built around 1600, it is one of the few buildings erected in the castles of Bellinzona under the rule of the three Swiss cantons.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.