The Plaza Mayor was built during Philip III's reign (1598–1621) and is a central plaza in the city of Madrid. It is rectangular in shape, measuring 129 m × 94 m and is surrounded by three-story residential buildings having 237 balconies facing the Plaza. It has a total of nine entrance ways.
The origins of the Plaza go back to 1577 when Philip II asked Juan de Herrera, a renowned Classical architect, to discuss a plan to remodel the busy and chaotic area of the old Plaza del Arrabal. Juan de Herrera was the artist who designed the first project in 1560 to remodel the old Plaza del Arrabal but construction did not start until 1617, during Philip III's reign. The king asked Juan Gómez de Mora to continue with the project, and he finished the porticoes in 1619. Nevertheless, the Plaza Mayor as we know it today is the work of the architect Juan de Villanueva who was given the glorious, albeit difficult task of its reconstruction in 1790 after a series of enormous fires. Giambologna's equestrian statue of Philip III dates to 1616, but it was not placed in the centre of the square until 1848.
The Plaza Mayor has been the scene of multitudinous events, during the Spanish Inquisition were practicated the autos de fe against supposed heretics and the executions of those condemned to death.
There is a bronze statue of King Philip III at the center of the square, created in 1616 by Jean Boulogne and Pietro Tacca.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.