The Roman Circus of Toledo was built during the 1st century, during the mandate of the emperor Augustus or the emperor Tiberius. Possibly, its construction was included within the plan that the emperor undertook by all the Empire to endow to all the great cities of public buildings, like thermaes, theaters, amphitheaters, or forums, with the aim of promoting the Romanization in these zones. In particular, the Roman circus was located in the north of the Roman city.
Given the size of the Circus, as it happened in almost all Hispanic-Roman cities, it was located on the outskirts of the walled enclosure. It is certain that from the city there was a causeway to the circus, which has not been found.
Although little investigated, since more than half of the infrastructure still remains without excavating, its similarities with other circuses of the peninsula, like the one of Emerita Augusta, allow to affirm that its capacity had to be between the 15,000 or 30,000 spectators, which initially proved sufficient to meet the needs of the city as well as other surrounding towns. The Roman circus had dimensions of 422 meters long by about 112 meters wide.
With the information available, it is not known that the Roman Circus of Toletum was used for naumachia (recreation of naval battles) as it happened, for example, in the Roman circus of Tarraco.
The decline of the building arrived with the arrival at the Christianity that rejected this type of events. Finally, it was with the arrival of the Visigothic domination when it ended up being abandoned. From this moment, the expolio of the sillars of granite that covered the Opus Camenticium to re-use it in other constructions. This expolio will extend during practically all the High Middle Ages.
During the Muslim stage, at least initially, the stands of the Circus were used by merchants to locate their establishments there. Later, the Arabs used the circus like cemetery, of which can be observed to the naked eye many vestiges. Currently, the medieval cemetery remains there, which makes the archaeological park an important medieval cemetery.
During the Late Middle Ages, it is possible that the plunder would end, although the buildings were abandoned on the outskirts of the medieval city, which made it easier for the inhabitants to bury them and the Toledans forget the location of these.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.