Ses Païsses is a Bronze Age talayotic settlement in northeastern Majorca. It is one of the most important and best-preserved prehistoric sites in the Balearic Islands, although it is largely overgrown with woodland, mainly Quercus ilex (holm oak), making it impossible to see the site as a whole.
The Ses Païsses settlement is thought to have begun as a cylindrical talaiot, or 'turriform', built during the first millennium BC (c. 900–800 BC) on a hillside with a commanding view of the surrounding countryside. Originally it would have stood alone, probably as a territorial marker. The tower is 12m in diameter and still stands 4m tall; there are stairs within the massively thick wall, but the building's central column has not survived. Visitors to the site are not allowed to access this building.
The talaiots are Bronze Age megalithic structures on the islands of Menorca and Majorca. There are at least 274 of them. Dating from the late second millennium and early first millennium BC (between 1,300–900 BC), they are round or square structures built of rough stone, around a central space at the center of which stood a column. This supported a ceiling of stone slabs which also formed the floor of the next story. Their purpose is not clearly understood: religious or tribal ceremonies, storehouses and distribution centres have been suggested. They are not thought to have been used as dwelling places or as defensive buildings.
These monuments pre-date the taulas, which are usually found nearby. The Talaiotic Culture began some 3,000 years ago and ended with the arrival of the Romans in the Balearic Islands in 123 BC.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.